Legends Near and Far!

This November & December, join us here at Puppet Showplace for a series full of handcrafted tales to treasure forever! Fall into winter with eight spellbinding stories from around the world, plus a sneak peek of our February Incubator show “Go Home Tiny Monster.” Our series kicks off with a silly-not-scary reimagining of the beloved classic legend of Sleepy Hollow!

We are also thrilled to announce the premiere of Cozy Corner, a toddler series by the much-loved duo behind “I Spy Butterfly,” Faye Dupras and Max Weigert.

For adults and teens, in partnership with the BU Arts Initiative, we are thrilled to present a powerful Puppets at Night performance by Tarish Pipkins, also known as “Jeghetto,” who is visiting us all the way from North Carolina.

November also kicks off our second session of Puppet Lab After School! Register kids 9-13 now for this 6-week puppetry workshop.

Legends Near and Far runs from Thursday November 1st- Monday December 28th. Tickets are $12-$15/general admission, $8-$10/members . For individual show descriptions and online ticket purchases visit our mainstage page

Thursdays & Fridays at 10:30 and 1:00.
Saturday and Sunday at 1:00 and 3:00.
Holiday Mondays: 10:30 and 1:00. 

  • "The Legend of Sleepy Hollow" by Stevens Puppets (Thurs 11/1-Sun 11/4)

  • "Cardboard Explosion" by Paper Heart Puppets (Thurs 11/8-Sun 11/11)

  • "A Tale of the Monkey King" by Margaret Moody Puppets (Thurs 11/15-Sun 11/18)

  • "The Case of the Missing Cookies" by Wonderspark Puppets (Fri 11/23-Sun 11/25)

  • "The Lion & the Mouse & Other Tales" by Crabgrass Puppet Theatre (Thurs 11/29-Sun 12/2)

  • "Tall Tales: Stories and Songs from Old New England" by Paper Heart Puppets (Thurs 12/6-Sun 12/9)

  • "The Snowflake Man" by PuppetKabob (Thurs 12/13-Sun 12/16)

  • "Punschi: The Adventures of Kasper" by Sandglass Theater (Thurs 12/20-Mon 12/24)

Have a birthday or special event coming up? Check out our great birthday party + puppet show packages. You and your guests are sure to have a fantastic experience! 


New England Puppeteers: Spend a Month in Montreal!


Calling all professional puppeteers! Puppet Showplace Theater, in partnership with Casteliers and the Montreal Arts Council, is thrilled to announce an international cross-creative residency for professional puppeteers based in Montreal and New England. Applications are due November 5, 2018.

About the Residency

With the goal of developing innovative puppetry while bringing together puppeteers from various backgrounds to exchange contemporary practices, Casteliers, the Montreal Arts Council (CAM) and Puppet Showplace Theater have teamed up to offer a residency for research and cross-creation to professional puppeteers. This international program, now in its third year, selects a Montreal artist to stay in Brookline while a New England-based puppeteer will travel to Montreal. For the visiting U.S. artist, the residency will last twenty-eight (28) days in Montreal from March 3 to 31, 2019.


New England Artists will receive the following benefits:

  • A $1000 living / per diem stipend and a $500 research and creation grant.

  • Housing for 28 days in the Outremont neighborhood of Montreal.

  • Festival pass to attend all shows at the Casteliers International Festival March 6-10.

  • Workspace, materials, and creative supplies.

While in attendance, artists will be expected to give one workshop to an audience of peer professionals.


This project is for professional puppeteers from Montreal and New England who have been working in the professional puppetry business for a minimum of five (5) years and whose experience is recognized at the national or international level. The New England puppeteer must necessarily: be a US citizen or permanent resident for at least 12 months, and be domiciled in New England for at least 12 months.  A professional puppeteer means any artist who, having acquired basic training, and possessing a competence recognized by their peers, creates, interprets, or distributes works in a professional context, devotes themselves mainly to the practice of their art, and receives remuneration for the works they produce.

How to Apply

Applications will be evaluated according to the following criteria:

  • Quality of artistic work (50%)

  • Interest and relevance of the project submitted by the candidate (30%)

  • Feasibility of the project (20%)

Applications will be evaluated by a selection committee composed of three (3) members from each country, whose expertise is recognized in the arts of puppetry.

For New England puppeteers, the deadline for submitting applications is Monday, November 5, 2018, before midnight. Records must be emailed to Puppet Showplace Theater Artistic Director Roxanna Myhrum at: artistic@puppetshowplace.org.


Incomplete files will not be retained. Files sent after the deadline will not be accepted. The decision of the selection committees will be known in mid-November 2018.

Meet Fred: Know Before You Go!

Meet Fred Banner

      I am going to see Meet Fred at the Boston Center for the Arts. This guide is for anyone wondering about the details of seeing the play. If you need to purchase tickets online, visit the Meet Fred page.


Meet Fred is a play by Hijinx Theatre. They are from Wales, United Kingdom. They have come a long way to perform the play in Boston. 


A video trailer for the show is here. There are 7 actors in the show, and one puppet named Fred. The show is 1 hour and 20 minutes with no intermission.


The show is located at the Boston Center for the Arts Plaza Theatre. The address is 539 Tremont Street Boston MA.
To get to the Boston Center for the Arts I may walk, take a bus, train, or car. There is a curb cut for wheel access directly in front of the theater.
 Follow this link for detailed travel and parking information.


When I arrive at the Boston Center for the Arts I will see a lot of doors. If I have already purchased tickets I can go directly to the Plaza Theatre to pick up my tickets. There is a sign for Meet Fred outside.

If I still need to purchase tickets, I will go to the Box Office. The Box Office is in the Calderwood Pavillion. There is a blue sign that says “Buy Tix Here.” If I am not sure which door to use, I will go inside and ask. Someone on the staff will help me find the right place.

Fred Poster outside Plaza Theatre Door
Box Office Entrance

 If I am purchasing tickets, when I enter the Calderwood Pavillion, I can get my tickets from the Box Office. I might need to wait in line to do this. The lobby might be crowded. It is best to wait patiently.  

Box Office Calderwood

After I purchase my tickets I can exit the Box Office and go to the Plaza Theatre. If I have already purchased my tickets, I can go directly to the Plaza Theatre

Plaza Theatre Outdoor View

I can pick up my tickets from an usher at the Will Call table. To the left of the Will Call table is lift access. 

Will Call Table

 If I need lift access I will ask for assistance from the staff. This elevator can accommodate 1 person. The rest of my group can walk down the stairs (9 steps) and meet me in the lobby area.

BCA Plaza Lift Access at top of stairs
BCA Plaza Lift Bottom of Stairs

If I need help, I can ask a Staff member. They will be wearing name tags. They can help me find my way to the theater, bathrooms, or answer any other questions.   

Paul Watkins
Cat Meilus

Before I enter the theater, I will wait in the theater lobby. I can arrive up to 1 hour early to get familiar with the space. There will be books and displays in the lobby. There may be a lot of people. I can wait here while the performers are getting ready for the show. If I need help with seating, I can tell an usher. There is another show called Vicuña happening in the same building, so not everyone in the lobby will go to the same place. I will wait until the usher says that it’s time for the audience for Meet Fred to go into the theater.

Doors to Plaza Theatre

 Food and drinks are not allowed in the theatre. If I have a drink or a snack, I can enjoy it in the lobby.  We encourage you to bring any earphones, fidgets or helpful items you may need to enjoy the performance.

No Food Icon.png
Headphone Icon.png


When it is almost time for the play to start, I will give my ticket to an Usher at the door of the theater.  When I enter the theater, there may be a lot of people waiting to sit. I will stay with my group inside the theater. There are floor seats and seats accessible by stairs.

Seating at BCA

I can sit with my family and friends during the show. I may be sitting next to someone I don’t know. It is best to stay in the seat I picked while the show is happening, but I can always ask my parent, family member, or friend, if I need a break.

During the show there is a moment where a confetti canon is used. There is also some swearing and speaking loudly. It is okay for me to cover my ears if the show is too noisy at any point.


 There is another moment in the show where Fred dances at a birthday party. There is a special colored light effect for this and music plays but NO strobe lighting is used.

Fred Party

 If I need to go to the bathroom or get a drink during the show, I can exit the theater via the ramp. The bathrooms & water fountain are just outside the theatre doors. A staff member can show me where the bathroom or water fountain is if I need help.

Exit from BCA Plaza

During the show, some people in the audience may laugh or clap. I can tell the actors I am enjoying the show by clapping. At the end of the show, many people may choose to clap to tell the actors they liked the show. I can cover my ears if it is too noisy.

Hands Clapping Icon

When the show is over, the actors will answer questions about the show. I can choose to stay and listen or leave the theater. If I have a question, I will raise my hand. If we run out of time for questions, that is ok.

When I leave the theater, I will go out the same way I came in. There may be other people trying to leave too, so my group might have to wait our turn for the elevator or stairs. Another performance may still be going on next door, so I will be quiet in the lobby.

I look forward to meeting Fred, and to having a fun time at the theater!

The Fall Fairy Tale Festival 2018!

Puppet Showplace Theater's 8th Annual Fall Fairy Tale Festival launches Labor Day Weekend! Celebrate the back-to-school season with classic stories full of wonder and magic. This series features nine extraordinary shows for families, starting off with pirates, princesses, and plenty of puppets.

We are also thrilled to announce the return of Puppet Playtime with Harry Lacoste, as well as two fantastic Puppets at Night events for adults and teens. 

The Fall Fairy Tale Festival runs from Saturday September 1st- Sunday October 28th. Tickets are $12-$15/general admission, $8-$10/members . For individual show descriptions and online ticket purchases visit our  mainstage page

Become a member during our Fall Membership Drive, and you'll be eligible to attend our members-only Fairy Tale Tea Party on Monday October 8th!

Saturday and Sunday at 1:00 and 3:00.
Holiday Mondays: 10:30 and 1:00. 

  • "The Pirate, the Princess, and the Pea" by Crabgrass Puppet Theatre (Sat 9/1 - Mon 9/3)

  • "Puss in Boots" by Perry Alley Theatre (Sat 9/8 - Sun 9/9)

  • "A Woodland Cinderella" by Deborah Costine Nature Puppets (Sat 9/15 - Sun (9/16)

  • "The Three Billy Goats Gruff" by Pumpernickel Puppets (Sat 9/22 - Sun 9/23)

  • "Father Goose's Tales" by Nappy's Puppets (Sat 9/29 - Sun 9/30)

  • "An Arabian Adventure" by Tanglewood Marionettes (Sat 10/6 - Mon 10/8)

  • "Lisa the Wise" by Sarah Nolen, Resident Artist (Sat 10/13 - Sun 10/14)

  • "The Bremen Town Musicians" by CactusHead Puppets (Sat 10/20 - Sun 10/21)

  • "The Bella Show" by Brenda Huggins & Phil Berman (Sat 10/27 - Sun 10/28)

Have a birthday or special event coming up? Check out our great birthday party + puppet show packages. You and your guests are sure to have a fantastic experience! 


Puppet Palooza 2018-New Works!

Since 2013, Puppet Palooza has been a collaborative event series designed to bring the art of puppetry to East Somerville in unexpected places. This year, in collaboration with the Somerville Arts Council, we are pleased to participate in expanding this series to help foster original new works designed for outdoor settings. With support from the National Endowment for the Arts, participating companies have had the opportunity to work with Jana Zeller, a highly accomplished puppeteer from Sandglass Theater in Vermont. Join us in East Somerville for two
nights of performances showcasing the outcomes of these emerging works. Great for kids and adults, and 100% free!


The Lineup: 

Emerging Works Showcase Part One:
Tuesday, September 11 | 6:00 pm (rain date 9/12)

Chuckie Harris Park, 3-17 Cross Street E
The Swishy Fishies by Honey Goodenough, Good Hearted Entertainment
Judy Punches Back! by Sarah Nolen

Emerging Works Showcase Part Two:
Thursday, September 13 | 6:00 pm (rain date 9/14)

Chuckie Harris Park, 3-17 Cross Street E
The Magnificent Monster Circus by CactusHead Puppets
Mama Light Fisher by Faye Dupras, Foreign Landscapes

Hope to see you there!

Intern News: Tips for Photographing Puppets

 Me and my hand puppet

Hi, my name is Samantha McQueen, and this summer I worked as an intern here at Puppet Showplace. My job as an intern was to work on different graphic design and photography projects for the theater. 

To help me take better photos of puppets, I developed a few tips that I would like to share with you.

Tip 1: Focus!

In photography, "focus" usually means whether an image is sharp or blurry. For puppeteers, "focus" means what a puppet is looking at. For a puppet to look alive, the audience needs to believe that the puppet is seeing things around it: they need to believe the illusion of focus.

Giving a puppet focus is harder than most people think. Have the puppet look into the camera. Does something seem off or creepy? That's because the puppet's focus needs to be adjusted to make it look like the character is looking back into the camera. Usually puppeteers need a director or an outside eye to confirm that the focus is correct.

 The Dinosaur Show

 An alternative and sometimes easier way is to have a puppet focus on an object or another puppet on stage. That's what we did in the photo shoot for The Dinosaur Show, where Mama Brachiosaurus looks alive and attentive because she is focusing on an egg in her nest.

Tip 2: Know your puppet

 Augustine, from Punschi: The Advantage of Kasper

Always know the puppet you are shooting. Every puppet will have different needs to look alive. Some puppets might need different angles to show off their best features, just like people like to show off their "good side." Also, keep in mind the lighting angle because it can cause dark shadows across a puppet's best features.

For example, Augustine, from Punschi: The Adventures of Kasper, has a heavy brow. His heavy brow causes him to look angry if he looks down. This is shown in the photo above, which make him intimidating to the viewer. This can be fixed by having him look slightly upwards, almost looking like he's day dreaming.

tip 3: strike a pose

 Wire armature 

Sometimes you might be working by yourself to take photos, or your puppeteer might want a rest. In these situations, you can "wrangle" the puppet into an active pose using some pro techniques. 

One option is to create an armature like the one shown here to hold up the puppet, similar to those used in stop-motion animation. You can pose the puppet in the desired position, then step back and take the photo all by yourself. Other options include using stands, wires, strings, and other structures. If they end up in the photo, you can always edit them out later in photo software. 

Tip 4: Plan your shoot

It's hard to get a really good shot during a performance in front of a live audience. It might be better for you to take shots during a dress rehearsal, when the puppeteer can freeze at the part you want to shoot.  Another idea is to watch the performance and write down the parts that you think will be good for an action shot or a posed set-up. Sometimes a staged photo might be necessary to get all of the elements you need, even if it's not exactly a scene from the show. 

Bonnie and Kids.JPG

This is also true if you want to capture audience reactions and interactions after the show. In order to show how much kids enjoyed the performance of Squirrel Stole My Underpants by The Gottabees, I had to get permission from their camp director and move quickly into position to show their smiling faces after the show. With a little planning, you can be in the right place at the right time to show their excitement. 

tip 5: keep practicing!


5) The most important tip is to keep practicing. Photography is a skill that takes time to develop. Don’t be afraid to check out other photographers' work for inspiration. For example, I spoke with Richard Termine, the photographer for the Muppets and one of the country's leading puppetry photographers to get advice. 

Check out Richard Termine's website for more great inspiration. http://www.richardtermine.com/about.html

Photos won't always come out the way you want, so don’t get discouraged. You can take another photo or you can edit in photo software. Or, you can go out in public and see what happens, like we did on this fun photo shoot with Mike Horner of Mesner Puppet Theatre. This photo had a record number of likes and shares on Facebook! 

 T-Rex and Botson Subway

I hope these tips will help you in future photo shoots. Special thanks to Puppet Showplace Theater for being a great place for my summer internship!

Intern News: Puppetry and Voice-Over

Hello fellow puppet fans!


I'm Peter Choi, a summer 2018 intern from Boston Latin School. When I first came here, I had almost no knowledge of puppetry. However, after many weeks working here, with lots of time spent at shows, in camps, and around professional puppeteers, I am proud to say that my knowledge of puppetry has expanded greatly! Now, I'd like to share some insights with you. 

One of my personal hobbies before I first entered the theater was voice-over. Voice-over is the business of using the voice to create recordings to be used in things such as radio, audiobooks, video games, narrations, cartoons, telephones, anime, commercials, and announcements. As I learned more about puppetry throughout the weeks, I realized that voice-over and puppetry had many similarities that I hadn't appreciated until now.

  Me and T-Rex behind the scenes with Mike Horner of Mesner Puppet Theatre. 

Me and T-Rex behind the scenes with Mike Horner of Mesner Puppet Theatre. 

One important similarity is of course the voice! In both voice-over and puppetry, the voice is manipulated to create characters and to transport the audience into the world of the story.

At Puppet Showplace, performers uses their voices to do so many things! I heard voices used to perform humans, monsters, dinosaurs, heroes, villains, and other characters big and small.

 Bonnie Duncan performs without words in "Squirrel Stole My Underpants" by the Gottabees

Bonnie Duncan performs without words in "Squirrel Stole My Underpants" by the Gottabees

One thing I discovered that I didn't expect was that sometimes, shows tell a story buy don’t use the voice at all! In shows such as Milo the Magnificent and Squirrel Stole My Underpants, the story is told entirely with puppetry and pantomime, or using gesture to communicate.

Both actors and puppeteers need to maintain good vocal health. Maintaining good hydration and avoiding actions that can damage your voice and lungs, such as smoking and screaming too much, are vital for keeping a healthy voice.

Silly voices: try this at home!


While working here, I took the class Fundamentals of Silly Voices taught by Puppeteer, Voice Teacher, and Vocalist Brenda Huggins. I learned a lot! For instance, have you ever done impressions or made voices different from your regular voice? Not only do make for good laughs among friends, but they can be applied to both puppetry and voice-over as you can embody different characters with different voices. You can even try this at home.

First: with your normal voice try speaking faster than your normal pace, then try speaking with a slower pace. Now raise the pitch of your voice and speak with a high pitch with a normal speed, fast speed, then slow speed. Do the same with a very low pitched voice. You now have 9 different types of voices that you can use for both puppetry and voice-over! You can make even more by adding different accents and impressions.

Learning Lip-Synch

Another thing I learned is that puppetry and voice-over both require well-timed vocal movements. I found this out during my first couple of weeks working here when I helped with puppetry summer camps for children. Even though these classes were for younger kids, I still learned a lot by helping out! 


"Lip Synch" when puppeteers match a puppet's mouth with the words that the character is speaking. Usually, the puppet's mouth is opened and closed by a puppeteer's hand. Doing this correctly can be really hard! One thing you can do is to practice is to bring your hand to your mouth, putting your thumb on your bottom lip and the rest of your fingers on your top lip. Then, match your hand movements to your mouth movements. It’s very difficult to do without touching your mouth and requires lots of practice to get it right.

Lip-synch and the puppetry requirement of well-timed lines is very similar to creating voice-over tracks for anime, cartoons and video games from foreign countries. Since animation from foreign countries is animated with their vernacular, English voice-actors must redub characters, keeping in mind the timing of the mouth movements, also known as “lip-flaps”. This also can be difficult in in the beginning, but with practice can become easier.

Both puppetry and voice-over are specialized fields, and I hope you enjoyed learning more about both! I look forward to applying what I learned during my internship in all of my future endeavors. If you're curious about voices in action, then come by soon to see a show! 

Summer Puppet Adventures!

Announcing Summer Shows! 

Let your imagination explore with our "Summer Puppet Adventures" series! July kicks off with the return of "Puppet Playtime: The Bella Show" for toddlers and tiny tots. Then, enjoy exciting shows for all ages, from Crabgrass Puppet Theatre's hilarious retelling of "The Three Little Pigs," to Mesner Puppet Theater's Boston Debut of "The Dinosaur Show!" Shows are Wednesday through Saturday at 10:30am and 1pm all summer long, with additional Sunday shows August 26th for "Tommy's Space Adventure." 

Want to get in on the fun? Register for our NEW all-ages summer camp collaboration with Wheelock Family Theater: Summer Puppet Academy! 

The Summer Puppet Adventures series runs from Friday July 6th-Saturday August 25th. Tickets are $12-$15/general admission, $8-$10/members . For individual show descriptions and online ticket purchases visit our  mainstage page

Become a member for discounts on all ticket and store purchases!

A Taste of Spring!

Celebrate spring with Puppet Showplace! Pack a snack and explore the outdoors with these sweet adventure tales. Audience favorites "Word Play" and "Cardboard Explosion" return in May & June, and Modern Times Theater is back with a brand-new show, "The Perils of Mr. Punch: Use It Up!" Puppets at Night fans can join us for "El Beto" in April and our Spring Puppet Slam in May.

Puppets around the World!

March 21st is World Day of Puppetry! Join us all month long at Puppet Showplace for puppet adventures around the world. Our international journey continues through March with a Lunar New Year celebration of the Year of the Dog, a grown-up puppet slam, and the return of Tanglewood Marionettes and the classic marionette cabaret, "The Fairy Circus"!

Chinese Theatre Works invites audiences to celebrate the Year of the Dog in "Hao Bang Ah, Dog," March 22-25. Traditional Chinese “budaixi” glove puppets perform vignettes
based on popular songs and well-known Chinese sayings celebrating canine wisdom, courage, and loyalty, making the Chinese language and cultural experience accessible to even the
youngest audience members!

Then, join Tanglewood Marionettes March 29-31 for "The Fairy Circus," a dazzling display of circus acts performed in an enchanted garden. "The Fairy Circus" is a showcase for turn-of-the-century style trick puppetry, performed by over 20 beautifully handcrafted marionettes.

World day of Puppetry is March 21st!


Every March, puppeteers all over the globe celebrate the WORLD DAY OF PUPPETRY. Here at Puppet Showplace, we'll celebrate on March 24th at 8pm with a special edition of the Puppet Showplace Slam, featuring Chinese Theatre Works. Other performers include Charlotte Dore, Caitlin Brzezinski and Libby Schap, and MORE! Live music, cash bar. 

Where in the world have our puppeteers been?!?

Puppet Showplace resident and affiliated artists have been on their own global journeys this month! Incubator Artist Bonnie Duncan of the Gottabees performed "Squirrel Stole My Underpants" at the Izmir Puppetry Festival in Turkey, and slam performer / adult class alumna Veronica Barron is on tour with Kid Koala's "Nufonia Must Fall" at the Taiwan International Festival of Arts. Artistic Director Roxie Myhrum and Resident Artist Sarah Nolen just returned from a wonderful weekend at the Casteliers Festival in Montreal, Québec, where Sarah performed in the North American Puppet Slam. Where in the world do you think they'll be next? 

New Year, New Shows!

Happy 2018! To kick off the new year, Puppet Showplace Theater is once again excited to present two world premieres in our annual New Year! New Shows! series, as well as a revival of an old favorite, Puppet Playtime. We will also be launching our very first after school program Puppet Lab

Our first mainstage show this year is The Bremen Town Musicians by the talented CactusHead Puppets. This show beautifully utilizes both shadow puppetry and rod puppets to put a new, CactusHead spin on the classic German folktale of four farm animals pursuing their dream to become world famous musicians, and the adventures they encounter on their journey. Thank you to our audiences for making the run such a success!  

Starting February 3rd, we are proud to present the world premiere of The Fairy Tailor, by Resident Artist, Sarah Nolen! Meet the Fairy Tailor, hard at work in her enchanted shop, where dressing racks and laundry baskets are known to have a mind of their own. Watch as she  transforms everyday garments into extraordinary characters, and shares familiar stories in an entirely new and clever way. This colorful, interactive production is guaranteed to inspire audiences of all ages.

Puppet Playtime with Harry LaCoste

We are also excited to announce our NEW Puppet Playtime with Harry LaCoste. This interactive puppet show is geared towards toddlers and their parents and provides both laughs and learning. Puppet Playtime is a great introduction for toddlers to the experience of live performance. We provide a welcoming "lights-on," flexible environment for children and caretakers alike!


Puppet Lab After-School Program

Finally, we have officially launched our pilot after-school program, Puppet Lab! In each ten-week session, kids age 8-11 will have a chance to explore the materials, engineering, and design involved in puppetry arts. Each week we’ll tackle creative challenges in a fun, hands-on, and supportive environment that encourages experimentation. We’ll bravely go beyond simple craft projects to learn advanced tools, techniques, and topics in 3D design. Kids will learn by doing, gain confidence in their abilities, and discover new strategies for solving interdisciplinary problems. Click the link below to learn more or register for the upcoming session!

Happy 2018! See you at the theater!

Holiday Shopping Guide 2017!

Puppet Showplace has great gifts for puppet fans of all ages! Get your holiday shopping done the next time you visit, or purchase tickets, memberships, or gift cards any time! 

  New: T-shirts in adult and child sizes! 

New: T-shirts in adult and child sizes! 

Puppet Store

Our store has great gifts for puppet fans of all ages! From adorable Folkmanis animal puppets to a beautiful array of marionettes, the Puppet Showplace store has the most comprehensive selection of puppets for sale in Greater Boston. Selections include finger puppets, hand puppets, marionettes and more. And remember, Members receive 10% off all store purchases.

New: T-shirts! 

Wear your Puppet Showplace pride in style! Puppet Showplace t-shirts are now available in child and adult sizes! Check friends and family off your list and let them flaunt that puppet pride!

Gift Memberships

  Marionettes and more are on sale in the puppet store! 

Marionettes and more are on sale in the puppet store! 

Memberships make great gifts! Share a year of puppetry with someone special on your list. Memberships include complementary tickets. Plus, you get discounts on shows, store purchases, birthday parties, and classes. Throughout the year, members will also receive invitations to special members-only events.

Four levels of membership are available: basic, family, puppets at night, and enthusiast. This gift is a great way to support the theater while making someone a part of the Puppet Showplace Theater family. 

Gift Cards

Can't decide what to get? We have the answer! Purchase a Puppet Showplace Gift Card, redeemable for tickets, puppet store purchases, adult/family workshops, and more! Gift cards are one of our most popular holiday items, and are available for purchase online or in person. Get one for everyone on your list!

Give the Gift of Puppetry to Kids in Need!

  Students on a field trip to Puppet Showplace Theater, supported by YOUR gifts to the Mary Churchill Memorial fund! 

Students on a field trip to Puppet Showplace Theater, supported by YOUR gifts to the Mary Churchill Memorial fund! 

Want to share the magic of puppetry with schools and camps whose students come from low-income communities? Make a tax-deductible contribution to the Mary Churchill Memorial Fund, our field trip subsidy program. It's a great way to spread joy this holiday season. Your gift allows us to welcome over 1,000 kids to Puppet Showplace theater every year. 

Thank you for making Puppet Showplace a part of your holiday experience! 

  From all of us at Puppet Showplace Theater, we hope you have a magical holiday season! 

From all of us at Puppet Showplace Theater, we hope you have a magical holiday season! 

Timeless Tales!

Discover folklore from around the world and meet classic characters passed down through generations in our first "Timeless Tales" series this November and December. Weekday shows return November 2nd and are great opportunities for field trip groups, home school students, and pre-school children to catch an exciting live performance. The series features seven wonderful shows for families, including a helping of “Holiday Punch” over Thanksgiving weekend.

The Timeless Tales series runs from Saturday November 2nd- Monday January 1. Tickets are $12-$15/general admission, $8-$10/members . For individual show descriptions and online ticket purchases visit our  mainstage page

Become a member for discounts on all ticket and store purchases!


·       Jack and the Beanstalk and Other Tales by Nappy's Puppets (Thurs 11/2- Sun 11/5)

·       African Adventure Tales by Crabgrass Puppet Theatre (Thurs 11/9- Sun 11/12)

·       Raccoon Tales  by Paul Vincent Davis, performed by Brad Shur (Thurs 11/16- Sun 11/19)

·       The Perils of Mr. Punch by Modern Times Theater (Fri 11/24- Sun 11/26) 

·       Beatrix Potter Tales by Applause Unlimited (Thurs 11/30- Sun 12/3)

·       Punschi: The Adventures of Kasper by Sandglass Theater (Thurs 12/7- Sun 12/10)

·       Fox Fables by WonderSpark Puppets (Thurs 12/13- Sun 12/17)

Have a birthday or special event coming up? Check out our great birthday party &  puppet show packages. Members receive a discount on all parties!

From Austin to Boston: Welcome Puppet Showplace's NEW Resident Artist Sarah Nolen!


We at Puppet Showplace Theater are as pleased as Punch (and Judy) to welcome puppeteer Sarah Nolen to Boston, where she will become the theater's third ever Resident Artist.

Sarah has been hard at work since August teaching workshops, refining her show Lisa the Wise, preparing her NEW Puppet Improv Lab class for adults, and creating the original production "The Fairy Tailor" which will premiere in February 2018. Catch a sneak preview on October 9th at the Members-Only Fairy Tale Tea Party!

Read on to learn more about Sarah, and introduce yourself when you see her around town.


Dear Puppet Showplace Friends,

Thank you for welcoming me to into this incredible artistic community. I’m looking forward to all the time we’ll spend together laughing at puppet antics, chatting about the potential of pipe cleaners, and discovering the many characters whose stories are literally right at our fingertips.

Sarah Nolen

Originally from Austin, Texas, I picked up puppets at an early age. One of my mother’s old socks became Nancy Drew, and a toilet paper roll "Rapunzel" starred in my living room debut. Since then, I’ve spent decades dedicated to the art of wondering what a puppet can do.

Recently, I completed my MFA in Puppet Arts at the University of Connecticut, after doing a film degree at SMU in Texas. Now, I create puppets for stage and screen, telling visual tales for all ages.

In 2015, I was a recipient of the Mister Rogers Memorial Scholarship in support of Treeples, a television pilot about empowering girls to face their fears. Since graduating from UCONN, I’ve travelled the globe performing on international tours, working in puppet production shops in New York City, and performing at puppet theaters around the US.

Sarah and Honey Word Play.jpg

While I’m new to the Boston area, I’ve performed many times at Puppet Showplace. I've done several acts for adults in the Puppet Showplace Slam, and have been a supporting puppeteer in Brave Bucket Company's "Help Save the Monkey," and Good Hearted Entertainment's "Word Play."

One of my most memorable Boston experiences was when I worked with the Boston Pops. I constructed a puppet version of conductor Arthur Fiedler for UCONN's concert collaboration, "Puppets Take the Pops," and I once narrated “Twas the Night Before Christmas” from a puppet booth backed by the entire orchestra.

My first month in Boston has been a whirlwind of teaching, building, rehearsing, and devising. In August, I joined resident teaching artist Honey Goodenough to teach two weeks of summer camp, where we worked with kids to create an original puppet play. I also taught an all-day residency for middle schoolers and am gearing up for a 14-week kindergarten residency in Boston. 

  It's been a busy first month! Here I am teaching table top puppetry to middle schoolers in September.

It's been a busy first month! Here I am teaching table top puppetry to middle schoolers in September.

I am excited to share puppetry techniques and inspirations with students of all ages, so if you have ideas for residencies or workshops, please get in touch.

Speaking of classes, I hope you sign up for our NEW Puppet Improv Lab!  I used to have terrible stage fright. To face my fears I enrolled in a year long training program at the Comedy House in Dallas. It was there that I learned how to be comfortable on stage, and to embrace "mistakes" as opportunities. Turns out, my improvisational training has proved vital to my puppet work, stage presence, and performance style. Puppets sometimes do whatever they want, and improv training has taught me to go along with it. I am excited to get Boston audiences thinking about the possibilities of puppet theater, and to empower people to realize that they already have what it takes to start creating.


Aside from teaching, I have been the 2017 Fall Fairy Tale Festival's #1 fan. Every week, I've enjoyed watching a different classic story performed by some of New England's best puppeteers. Next week, it's my turn to take the stage. At the Fairy Tale Tea Party on October 9th (MY BIRTHDAY!) I'll give Puppet Showplace members a sneak preview of my work-in-progress show "The Fairy Tailor." Together we learn how even the smallest of characters has the strength to take down a bully. Episode one: Red Riding Hoodie outsmarts a Big Bad Fur Coat. Intrigued? See you there! 

  Working on the shadow forest for "Lisa the Wise"

Working on the shadow forest for "Lisa the Wise"

Then, it's the Boston debut of my show "Lisa the Wise," an adaptation of a Russian folktale with a modern twist. It includes fantastical scenes brought to life with shadow puppetry, the sensational Baba Yaga (guaranteed to give Cinderella's Fairy Godmother a run for her money), and a house with dancing chicken legs. I hope you'll join me for this spooky adventure... It's a perfect start to the Halloween season!  

Continuing the Puppet Showplace resident artist tradition is an incredible responsibility, and I’m honored to call you all my new neighbors as I embark on this journey. Thank you to everyone who supports Puppet Showplace Theater and the work that we do in the community. Whenever you see a show, take a class, become a member, donate, or volunteer, you are helping to keep puppetry thriving here in New England. So come on down to Station Street, introduce yourself, share your puppet story, and let’s exchange "Howdys!"  


Fall Fairy Tale Festival

Back to school does NOT have to mean back to reality! Join Puppet Showplace for another fantastical season filled with classic tales and stories of wonder during our 7th Annual Fall Fairy Tale Festival. Featuring nine extraordinary shows for families, and one Puppet Slam for adults and teens!

The Fall Fairy Tale Festival runs from Saturday September 2nd- Sunday October 29th. Tickets are $12-$15/general admission, $8-$10/members . For individual show descriptions and online ticket purchases visit our  mainstage page

a member during our Fall Membership Drive, and you'll be eligible to attend our members-only Fairy Tale Tea Party on Columbus Day Monday!

Explore kingdoms, castles and enchanted lands with a puppeteer as your guide!


  • "Beauty and the Beast" by National Marionette Theater(Sat 9/2- Mon 9/4)
  • "Father Goose's Tales" by Nappy's Puppets (Sat 9/9- Sun 9/10)
  • "Jack and the Beanstalk" by No Strings Marionette Company (Sat 9/16- Sun (/17)
  • "Sir George and the Dragon" by Pumpernickel Puppets (Sat 9/23- Sun 9/24)
  • "Snow White and Other Stories" by Perry Alley Theatre (Sat 9/30- Sun 10/1)
  • "The 3 Little Pigs Build a Better House" by Crabgrass Puppet Theatre (Sat 10/7- Mon 10/9)
  • "Lisa the Wise" by Resident Artist Sarah Nolen (Sat 10/14- Sun 10/15)
  • "Puppet Playtime: Teddy Bear Picnic" by Brenda Huggins & Phil Berman (Sat 10/21- Sun 10/22)
  • "Hansel and Gretel" by Tanglewood Marionettes (Sat 10/28- Sun 10/29)

Have a birthday or special event coming up? Check out our great birthday party + puppet show packages. You and your guests are sure to have an enchanting experience! 

Shop the Look: Be a Pirate!

Hey! Andrew's back!

So I've had enough of just looking at puppet fashion all summer. I've decided to write it about it. This isn't gonna be your normal Blog Post. This time I'm gonna show you all how to flex on everyone you know, by ripping an outfit straight from a puppet show! I'm here to show you how to dress like the pirate, from The Pirate, the Princess, and the Pea, by Crabgrass Puppet Theatre.


This former ruffian is dressed up in a blue striped long sleeve T-shirt, brown shorts, a red sash belt, and a gold earring. You won't be needing an eyepatch or hook hand for this.

To complete this look, you should expect to visit some retailers, or their online stores.

For the blue striped long sleeve T-shirt, I would recommend a simple Striped Crew Neck T-Shirt from Uniqlo, although the color is a bit dark. Alternatively, you could buy a Nautical Striped Long Sleeve.

If you would prefer a more feminine cut, you could opt for a Striped Shirt from H&M, or a Comme Des Garcons Play Blue Striped Long Sleeve

For the brown shorts, you can get away with a yellowish color. I would recommend another Uniqlo piece, the Yellow Chino Shorts. If you want higher quality and a more rugged look, you could opt for a pair of Max Linen Shorts or Wood-Print Cargo Shorts.

For the ladies, you could try a pair of Tan Shorts, and for a more high end feel you could also try Twill Drawstring Shorts or Cargo Shorts

For the red sash, you could use anything red. I would go for a Red Sash or a Red Scarf.

 For the earring you could get opt for inexpensive ones or more accurate ones, but this all depends on whether they are convenient for you.

Those are all the items you need to become a pirate!


Oh you don't have a time to flex on everyone in your fit?

Well keep it in your closet and bring it out for our winter showing of Everybody Loves Pirates by Frogtown Mountain Puppeteers December 31st and January 1st! 

I hope to see you there with all your pirate heat!

Puppet Store: Summer Finds!

Hey it's me, Andrew Huynh, and I'm an intern this summer at Puppet Showplace.

Today, I'll be giving you an inside look of all the treasures you can find in our store!

Here, we offer many types of puppets for you to take home. We have racks filled with  hand puppets, finger puppets, and even marionettes! Prices vary per puppet, but, members always receive 10% off of any purchase. Become a member today! 

Our most popular items are plush Folkmanis hand puppets. These characters are inspired by animals of all shapes and sizes. Plush puppets are available in large "stage puppet" styles, as well as kid-sized hand puppets and or small-scale finger puppets. 

The puppet store also has great deals on marionettes, or puppets you can control with strings. We have large and small marionette characters, and all of them are looking for a new home! 

No puppet store would be complete without the world's most famous puppet character: ELMO! Sesame Street characters are available as hand puppets or as small finger puppets. 

Not sure what to get? An inexpensive and versatile option is to get a set of Peepers! These eyeball puppets easily turn your own hand into a puppet. There's also an amazing selection of eye and frame colors, to make sure your puppet looks the way you want it to.

The puppet store accepts purchases by cash, check, or credit card. Can't decide? Consider purchasing a gift card, good for any store sale or ticket purchase. 

That's all I have to say about the store! If you're interested in buying a puppet, just swing by and we'll be happy to get you started on your own Summer Puppet Adventure!

Summer Puppet Adventures

While school and the sun are out, Puppet Showplace Theater invites audiences to have fun, explore new worlds, and stretch and grow their imaginations with our "Summer Puppet Adventures" series. Eight shows travel deep under the sea, soar through the sky, and swing through the jungle, all the while learning and laughing!

"Summer Puppet Adventures" runs from Wednesday, July 5 - Saturday, August 26. Tickets are $12/guest for general audience, $8/guest for members.Learn more about the series here, and register for adult or youth classes and camps today!

Summer Puppet Adventures

Search for buried treasure, sail the open seas, and meet fantastical creatures great and small with our annual summer adventure series!


  • "The Pirate, the Princess, and the Pea" by Crabgrass Puppet Theatre (Wed 7/5 - Sat 7/8)
  • Saturday, July 8: Summer Open House: FREE popsicles and puppet-making activities
  • "Word Play" by Good Hearted Entertainment (Wed 7/12 - Sat 7/15)
  • "The Pied Piper of Hamelin" by CactusHead Puppets (Wed 7/19 - Sat 7/22)
  • "The Great Red Ball Rescue" by Faye Dupras (Wed 7/26 - Sat 7/29)


  • "Old Mother Hubbard & Her Dog" by Mesner Puppet Theater (Wed 8/2 - Sat 8/5)
  • "Aesop's Fables" by Red Herring Puppets (Wed 8/9 - Sat 8/12)
  • "Tall Tales!: Stories & Songs from Old New England" by Resident Artist Brad Shur & Musician Chris Monti (Wed 8/16 - Sat 8/19)
  • "The Fairy Circus" by Tanglewood Marionettes (Sat 8/26 -- one day only!)


Puppets prevail all summer long! Consider booking a birthday party, summer-camp field trip, or other special occasion with us in the coming months.  Plus, any and all donations to the Showplace help provide tickets to kids in need. Raise the anchor, hoist the mainsail, and let your fun flag fly!

Melinda Lopez, on the magic of puppetry: Puppet Showplace Theater Gala 2017

On Wednesday, June 7, 2017, the Puppet Showplace Theater hosted over 200 guests, performers, and volunteers at its annual fundraising Gala . This "Evening of Enchantment" featured puppetry performances, a live brass band, a silent auction, various displays of puppets large and small, and much more!

Below is the transcript of the keynote address delivered by the Gala's emcee, Melinda Lopez, preceded by opening remarks from Puppet Showplace Artistic Director, Roxie Myhrum. 


Tonight, we are joined by one of the brightest lights in Boston’s theater scene: award-winning actress, playwright, and educator, Melinda Lopez.

Melinda is a Fellow and Playwright-in-Residence at the Huntington Theater Company, and her work has appeared on stages throughout New England and far beyond. If you think of Puppet Showplace as a candle in the Boston theater scene, Melinda comes from the world of the comets and the supernovas. So I feel really awesome that our evening of enchantment features a superstar emcee!

Personally, I am a huge fan of Melinda’s work.  As an audience member, I’ve watched her characters travel through time, build worlds and set them on fire, and negotiate with wise-cracking ghosts. Most recently, with her award-winning and critically acclaimed play Mala, she conjured the snowstorm of stories that surround a parent’s passing, and she guided a room full of strangers to find comfort and community in the face of death.

Melinda is also a leader in Boston’s Cuban-American community and a champion of humanitarian causes, both on and off the stage.  She gained unexpected notoriety in 2016, when President Obama shared her family’s story of revolution, refuge, and return in his speech to the Cuban people about the end of the embargo. All of us who work in Boston’s theater industry are inspired by her chutzpah, and our work is greatly enriched by her perspective.

I had the pleasure of meeting Melinda almost nine years ago, when she was commissioned by Underground Railway Theatre and the National Institutes of Health to write a play, From Orchids to Octopi, celebrating the 200th anniversary of Charles Darwin’s birth. I was her dramaturge, which is a fancy way of saying I did a lot of fact-checking. I also got to dress in a vest decorated with double-helixes and puppeteer a talking giraffe.

Not only did Melinda create a beautiful, thoughtful script that inspired the entire production team, but she also navigated the complexities that came with bringing artists, scientists, government funders, and, yes, puppeteers, together in the same place. I was very fortunate to have had Melinda as a creative mentor right before I started at Puppet Showplace, and I am so grateful to her for joining us tonight. Please welcome: Melinda Lopez.


Thank you, Roxie, for inviting me to be part of Puppet Showplace Theater’s "Evening of Enchantment." I feel truly enchanted by the work that you all do.

I loved seeing so many puppeteers in action tonight. I especially enjoyed seeing the incredibly varied shadow puppetry performances done by Brad and his students.

  Harriet Tubman shadow puppet from  Are You Ready My Sister?  by Underground Railway Theater

Harriet Tubman shadow puppet from Are You Ready My Sister? by Underground Railway Theater

It reminded me of the brief but influential chapter in my own life when I worked as a shadow puppeteer. Now, I don’t talk about this very often, because, quite frankly, I wasn’t very good at it. I was an actor touring with Underground Railway Theater’s production Are you Ready, My Sister. Part of my job was to bring the story of Harriet Tubman and the Underground Railroad to life with overhead-projector shadow puppetry. The intense precision of performing with puppets always stressed me out. A lot. What do you mean they can break? What if one goes missing? What if my hands are shaking or someone sees my arm? What if everyone is laughing at me on the other side of the screen!? Nevertheless, I practiced and practiced, and eventually things got better. I learned something really important about puppetry from that experience: puppetry meant that we humans weren’t alone up there on stage. We had light and shadow, and shapes and stars on our side. Puppetry made it possible for anything — anything — to happen.

A few years later, I wrote How Do You Spell Hope?, a play about literacy, which brought together the stories of a Cambridge high school athlete, a Latina immigrant, and Frederick Douglass, all struggling to learn to read. Now that puppetry had stretched my imagination, I felt a lot bolder as a playwright. In fact, on the very first page, as a character talked about what it was like to read fairy tales in her native Spanish: “Habia una vez, en un reno fantastico, todo era possible….” I bravely included the stage direction “As she reads, we see magical figures, dragons fly upward.”

Thanks to puppetry, we could transcend language. The audience would know that once upon a time, in a fantastical kingdom, anything was possible. I could show audiences how the simple act of reading was actually something magical.

  Young Frederick Douglass puppet from URT's   How Do You Spell Hope?

Young Frederick Douglass puppet from URT's  How Do You Spell Hope?

During that show, I also learned that puppets have an amazing ability to speak without talking. It often takes actors a really long time to learn how to do this. But puppets are born with this ability. I remember the first time I met the main puppet character — a young Frederick Douglass, who commanded a room even though he was only about three feet tall. I was so moved the first time I saw him come to life that it made me cry. After rehearsal, I went home and cut half of the lines I had written in that scene. The truth is that puppetry is often much more powerful than words. Puppets say so much just by existing on stage. They activate our imagination. They make us lean forward, pay attention, and care.

So why does this matter? Why do we care about what happens in the realm of the imagination? Don’t we have bigger things to worry about here in the real world?

In the realm of imagination, we are all citizens.
We all carry the same passport. We all speak the same language.
We all have a pet dragon who eats cupcakes and reads us bedtime stories.
In the realm of imagination, we can all spell HOPE.

So... how do we get there?

Step number one: we need to turn off our cell phones. Too often, we rely way too much on technology to do our creative work for us. We get lazy, and the muscles of our imagination get soft. The realm of the imagination is much bigger than a screen. You can’t see it in your friends’ Snap Chat, and it doesn’t show up in Google Maps. In order to get there, we need our eyes open, our hearts open, and our feelings awake.

Step two: ask a kid for directions. We are all born with the capacity for joy, wonder, and imagination. Sometimes, the grown-up world kicks dirt all over those flames. But kids still have that guiding light. To the kids here tonight...stand up! Look around! On behalf of all of the parents and grownups, I want to say thank you for giving us excuses to go see puppet shows with you. You show us how to play and let us exercise our imaginations. Sometimes it’s hard for us, and we may take a little extra time to figure out what’s going on, because your imaginations are much more powerful than ours. But, with your help, we can get there. The next time you go to a puppet show, remember that half of the people in the audience are grownups who need your help to find their way.

Step three: let a puppeteer be your guide. Puppeteers are among the hardest-working performing artists I have ever met. Not only do they write scripts and tell stories, but they also build sets, paint eyeballs, play music, and literally carry their shows on their backs from venue to venue. Why? Because they believe that every community center, every classroom, every cafe-gymnasa-torium should have a border-crossing to the realm of imagination. And when they unpack their stages, test their microphones, and bring these handmade, miniature worlds to life, they create a magic glowing portal that is just big enough to get everyone in the audience inside. 

Last, and most important: don’t leave anyone behind. One problem with the realm of imagination is that once we get there, it’s so awesome and magical that sometimes we forget to stop, look around, and see who’s missing. Does everyone there look just like you? Was there a ramp next to the staircase? Did the funding for imagination portals just get cut… and cut again… and again? In a realm where anything is possible, we have to remember that it’s in our power to break down barriers and build bridges so that everyone can find their way across the border.

We are here tonight because we all believe in the mission of Puppet Showplace Theater, and because we believe that puppetry and live theater and imagination should be accessible to all. Your gifts, your generosity, your time, your talents, your compassion, and your kindness all make this possible. You have taken care of Brad for the past eight years as he journeyed to Sherwood Forest, sailed across the ocean, and built kingdoms out of cardboard. We will do the same for Sarah, as she sets down roots in Boston and her art begins to bloom. And we will do this for thousands of kids each year who wake up penniless but who still get handed a golden ticket and are greeted like royalty when they get to Puppet Showplace and are welcomed inside.

Thank you for welcoming me into this strong and creative community — it has been an inspiring night. I know exactly where I’ll go the next time I need help from a dragon. Or a brush-up on overhead projector shadow puppetry. With you, I imagine a great future for Puppet Showplace Theater, and for the all the kids and grownups here who believe that anything is possible.

  Gala Emcee Melinda Lopez with Artistic Director Roxie Myhrum.