PST Thanks Our Members This Thanksgiving!

Turkeys and Tortillas: A Puppet Party for All Ages!
Exclusive Members Event!*

Saturday Nov 17 | 4:00PM 

FREE Admission! Fun for all ages!

Join us the Saturday before Thanksgiving for a special, members and donors only event, following the 3:00 performance of Crabgrass Puppet Theatre's show, The Day It Snowed Tortillas (BUY TICKETS).

This event is our way of saying THANK YOU to our wonderful members and donors who support Puppet Showplace Theatre.

Featuring: Refreshments!Music!Puppet making activities!Performance activities!Prizes!

A special THANKS to Anna's Taqueria for providing yummy food and drinks!

*Donors who are not members, please call the box office at 617-731-6400 x101 to register.  Or...if you would like to become a member, CLICK HERE.  

Remember: your membership helps us continue our mission, plus you'll receive great benefits including: (1) up to 33% off the price of tickets, (2) discounts on workshops, products, and special events, (3) exclusive members-only newsletter and events, (4) VIP treatment and reserved seating

Behind the Scenes at PST: Raccoon Tales

Paul Vincent Davis, creator of Raccoon Tales

Raccoon Tales, Not Tails

Greetings, Readers!  In honor of Thanksgiving - which we all know is tied for "Best Holiday of the Year" with Christmas because you get to sample so many different kinds of pies (*insert happy "YAY!" here*) - we're bustin' out some of our favorite stories, each seasoned with a dash of food-themed fun.

We begin the yummy, finger-lickin' season with Raccoon Tales by Paul Vincent Davis, performed by PST artist-in-residence Brad Shur, which, we think, will inspire you to create a family folklore of your own - with the help of some tribal tricksters, of course.

About the Show...

What better way to bring in the holiday season with a show inspired by Native American tales of the Seneca Tribe?  That's right!  Thanksgiving's (basically) just around the corner and we're celebrating with Raccoon Tales.  Based on tales such as "How the Fox and the Raccoon Trick Each Other," "Why the Blue Jay is Blue and the Gray Wolf Isn’t," and "Why the Bear has a Stumpy Tail," Raccoon Tales is guaranteed to get you in a "thankful" mood.

Yes, see what happens when the animals from the forest play tricks on each other. Will they learn their lessons? Boy, we hope so because!

Its History...

Although our artist-in-residence Brad Shur is performing Raccoon Tales this week, the show was first created by Paul Vincent Davis in the late 60's - one of the six shows commissioned by the New York Town/Park Department.  Drawing inspiration from a humorous collection of Native American tales called Skunny Wundy, written by Arthur C. Parker, Paul prepared the show in a year, with puppet making help from friend, Karen Larson.

The "Inspiration"

Of course, the show due at PST this week is Paul's third revision.  That's right.  Paul loved Raccoon Tales so much - more than the other five shows he was commissioned to do - that he thought, "Let me make some changes.  So, how did the show change?  Well, it used to be that the puppets were glove puppets with Styrofoam heads, but then Paul changed them into glove puppets with paper mache heads - all handcrafted with faux fur.

Paul's Hand Puppets

You may be wondering: why glove puppets?  Well, in case you didn't know, they're Paul's signature - his "thing."  For the longest time, he's been fascinated by glove puppets because they're the hardest puppets to manipulate.  Seems strange, right, to enjoy something so challenging?  Wrong.  Paul loves a challenge - and there's absolutely nothing wrong with that.  As a puppeteer, he believes in communicating through movement - to use a puppet's entire body to showcase what it feels about what it's saying - and it takes a lot of work to do so with glove puppets.  Of course, Paul's so invested in his work - studying his art - that he's, in a way, mastered it.

Paul, performing an earlier version of Raccoon Tales

Now, when Paul handed down Raccoon Tales to Brad, he was a little nervous, not because he thought Brad was a "bad" puppeteer but because he was asking him, this other person, to do the show in his voice.  One of the reasons why Paul was so invested in Raccoon Tales during its earlier run was because he wrote the script using his own sense of humor - his own voice.  Of course, after meeting Brad and seeing how much of a fast-thinker he is, Paul gave him his blessing.

And the Man Behind the Raccoon...

Paul is widely recognized as one of the foremost hand puppeteers in the country.  Not to mention, he's a great artist, writer, etc.

One of Paul's sketches

Paul joined the PST team in 1977 as its artist-in-residence and has been part of its history since then.  He has received many awards, including four "Citations of Excellence in the Art of Puppetry" from UNIMA-USA (the highest award given in puppetry) and the distinguished President's Award from Puppeteers of America.  In addition to performing, Paul has taught at the Kennedy Center for the Performing Arts and the Boston Museum of Fine Arts.  Pretty impressive, eh?  Well, he's also served as a faculty member and on the Board of Overseers for the Institute of Professional Puppetry Arts at the Eugene O'Neill Theatre.  With a resume like this, we're proud to call Paul "family!"

Paul, surrounded by clowns (literally)

Oh, and be sure to keep your eyes open!  Paul's been writing a book - working title Glove Puppets: Fantasy and Realism Hand in Hand.  "It's almost done," he says.  There was a minor setback when his computer lost the pages, but our wonderful artist-in-residence Brad Shur saved every file.  The finished work is being proofread, so we hope to see it on shelves soon!

And Finally...

Be sure to come on down to PST this week to see Raccoon Tales.  Tickets can be purchases online HERE.

Till next time!  Yours truly, Esra Erol - marketing intern at PST.

Food and Folktales at PST!

PST Feast of Food and Folktales 2012!
November 1 - December 2
View Show Calendar

With our Halloween Extravaganza coming to an end, we're getting ready for Thanksgiving - a special time that brings families together to share stories while enjoying yummy food!  Take a seat at our table as we present some of our favorite stories, each seasoned with a dash of food-themed fun!

THIS WEEK AT PST:

Raccoon Tales by Paul Vincent Davis, performed by Brad Shur, PST Artist-in-Residence
Thursday Nov 1 | 10:30 AM
Friday Nov 2 | 10:30 AM & 3 PM
Saturday and Sunday Nov 3 & 4 | 1 PM & 3 PM

BUY TICKETS

About the Show: The animals in the forest are always getting into trouble, playing tricks on each other. Will they learn their lessons? Three humorous tales inspired by the Native American tales of the Seneca tribe: "How the Fox and the Raccoon Trick Each Other," "Why the Blue Jay is Blue and the Gray Wolf Isn’t," and "Why the Bear has a Stumpy Tail." Recommended ages 4 & up. Hand puppets. Tickets: $12/general admission, $8/PST members.

About the Artist: Brad Shur, PST Artist-in-Residence, has been professionally involved in puppetry for over 10 years.  He first began as a performer with the Providence puppet and mask company Big Nazo while he was a student at the Rhode Island School of Design and has toured nationally with Wood & Strings Theatre, a marionette company out of Tennessee.  As a teaching artist, he teaches workshops and classes for students of all ages. 

Behind the Scenes at PST: The Witch Who Wasn't

The Witch Who Wasn't...Scary?

Guess who's flyin' over to PST for Halloween weekend?  A witch!  But don't worry.  She's just an itty-bitty witch...unlike some (*ahem* Wicked Witch of the West).  Yes, that's right.  If you're not interested in a gory Halloween and you just want to have some fun, then we suggest you come on down to PST and see The Witch Who Wasn't.

A History Of Witches...

We all know - witches are no strangers to Massachusetts.  Anyone remember the Salem Witch Trials?  It's not exactly something you could ever forget - one of the most notorious cases of mass hysteria in human history.  You know, because so many innocent people were executed at the hands of paranoid ministers, governors, and whatnot.

A courtroom, during the Salem Witch Trials

The question is: why?  Why did so many people feel the need to rid of these so-called "witches?"  It could be because, since who knows how long, witches have been viewed as evil creatures - evil creatures who perform black magic.

Wicked Witch of the West (above), Witches of Macbeth (bottom)

Of course, not all witches are evil - at least, they don't have to be.

Hermione Granger (above), Samantha Stephens (bottom)

What we learn from The Witch Who Wasn't is this: there is a difference between an evil witch and a witch who just wants to scare in the spirit of Halloween.

About The Show...

The Witch Who Wasn't is a delightful tale about a little witch who can't do anything - emphasis on anything - scary.  And because of this, she dreads attending her first Halloween Witches Convention.  Fortunately, she's not alone on this journey.  Her short story is followed by visits from a happy juggling pumpkin, a roller-skating demon, and a compliment of scarecrows, witches, ghosts, and silly monsters.

...And The Man Behind The Witch

Wayne Martin and The Witch Who Wasn't

Believe it or not - Wayne Martin founded his company, The Wayne Martin Puppets, when he was just eight years old!  Pretty impressive, huh?  I think so!  Imagine what he's accomplished since then.

Over the course of forty-plus years, Wayne's developed a hefty credits list, which includes guest appearances with Symphony Orchestras and work as principal manipulator for industry greats such as the Heiken Puppets, Sid and Marty Krofft Productions, and Jim Henson's Muppets (just to name a few).

And it doesn't end there.  Wayne has also appeared in many award-winning television programs and commercials.  These include critically acclaimed educational and training films and his very own television series and specials that have earned him two Emmy nominations.  Yes, I said it - Emmy nominations.

Of course, Wayne's first love remains live performance.  He has toured Canada, Europe, and Autralia - as well as presenting his one-man variety revue hundreds of times each year across the United States.

Some of Wayne's Puppets

The Witch Who Wasn't is a childhood favorite of his, written by Jane Yolen, that his mother had read to him when it was first published in the early sixties.  He decided to produce his version of the story for a "Breakfast With The Witch" promotion with McAlpin's Department Stores in 1978.  He worked with a writer at the time, one who would take his ideas and story suggestions and write the scripts for him.  They would then go into a studio and record all of the voices and music, which he would play back during live performances.

When The Puppet Showplace approached him to present a show during the month of October, Wayne immediately thought of The Witch Who Wasn't. It runs just over 12 minutes and will be followed "Halloween Spooks," his thirty-plus minute Halloween trick-marionette variety revue. 

Yes, come on down to PST and celebrate with us as we begin our Halloween Extravaganza with The Witch Who Wasn't.  If you haven't done so already, tickets can be purchases HERE.Till next time!  Yours truly, Esra Erol - marketing intern at PST.

Behind the Scenes at PST: Dr. Doohickey's Monster Machine

Reginald the Rabbit, the monster!

Doohickey M.D.?

Dr. Doohickey may not have a degree from the Yale School of Medicine, but that's ok.  You're not in need of any health-related advice.  You're in need of a good show - nay, a great show!  Well, guess what?  Dr. Doohickey's Monster Machine is just that - a great show.

About the Show...

Halloween's just around the corner and you're all probably wondering: what makes Dr. Doohickey's Monster Machine so spook-tacular?  Well, for one thing, the words "Doctor" and "Monster" are in the same title. Take a look at Frankenstein and Dr. Jekyll and Mr. Hyde.  Both have taught us that when doctors and monsters mix, they result in Halloween-worthy stories.

Reginald and Friends

Of course, Dr. Doohickey's Monster Machine is not grotesquely scary like most of today's scary stories, movies, etc.  It's Halloween fun that everybody can enjoy, including the wee little children.

With the help of his assistant, Reginald the Rabbit, Dr. Doohickey embarks on a quest.  Using music, machines, and a little bit of magic, he sets out to prove that the world would be a much more exciting place if people were a little bit more like monsters.  Actually, not like monsters.  Dr. Doohickey tries to turn people into monsters, which makes sense, right?  What else is one supposed to do with a monster machine?

Now, Dr. Doohickey's Monster Machine is very different from most puppet shows that pass through PST.  We're so used to seing so many small hand puppets that we forget they can be big.  Take Reginald the Rabbit, for example.  He's pretty big - almost the size of a real-life person.  And his mouth moves, too!  So, it's almost like he is a real person, even though he's kind of a "thing."  

Also, he's not the only puppet - or should I say, "person" - on stage.  Brad actually performs as Dr. Doohickey.  And there are, of course, a few shadow puppets here and there!  What a perfect Halloween-related factor, right?  Shadow puppets.  What could be more "Halloween-y?" 

Doctors, Monsters, and everything in between - how did Brad Shur come up with such an amazing show?  Hmm...perhaps it's because he's super talented.  Yeah, I think it's that.

...And the Man Behind Dr. Doohickey

I don't know if you knew this, but Brad Shur is the Artist-in-Residence here at PST.  Since he first started in 2009, Brad has performed a variety of shows on our stage, including three of Paul Vincent Davis' original shows (The Singing Turtle, Raccoon Tales, Clown Circus) and some of his own, like Dr. Doohickey's Monster Machine, The Carrot Salesman and Magic Soup & Other Stories.

Brad in The Carrot Salesman

Brad also brings the magic of puppetry to schools, libraries, and other venues.  Yes, that's right.  He's a touring performer as well as an in-house performer.  Also, people find themselves so intrigued by how Brad constructs his shows, from script to stage, they often enroll in some of the teaching classes he offers here at PST.  Last summer, for example, Brad offered a workshop called "Junk Puppets," in which he taught puppet enthusiasts how to make puppets from recycled materials.

Brad, teaching "Junk Puppets"

As for the year before, Brad performed The Carrot Salesman at the Huntington Arcade, presented by The Kid's Stage in Barnes & Noble Booksellers.  This event - "Puppets Take Prudential" - occurred at the Prudential Center, where the Boston skyline was lit up with PST's signature orange color in honor of the theatre's month-long "31 Nights of Light," which was everyone's way of celebrating local non-profit organizations.

Brad, doing "Puppets Take Prudential"

Of course, what about before and outside PST?  In 2003, Brad graduated from the Rhode Island School of Design with a BFA in Film, Animation, and Video.  Pretty impressive, right?  Well, it doesn't end there.  After, he was a workshop leader for Wood and Strings Theatre, where he performed in full-stage, nationally touring shows.  Also, he built the interactive show Escape From the Zoo.  

Brad, making puppets for Escape From the Zoo

Then, he was an art teacher at the Providence After School Alliance, teaching grades five through seven.  His students created masks, comics, a collaborative video game, and a short film - which you can see HERE.

In between all this, he founded Little Bee Puppets, where he created and performed shows for children and adults alike throughout Nashville, TN and Providence, RI.

And if all of this isn't enough to "wow" you - Brad also designed, built, and performed body puppets for an American Idol commercial, headed by Ford.  Check it out:

Yes, it's no secret: Dr. Doohickey's Monster Machine is guaranteed to bring a smile to audiences of all ages with many thanks to our super talented Artist-In-Residence, Brad Shur.  Be sure to come on down to PST and join us as we launch our two week-long "Halloween Extravaganza" this Friday, October 19th. 

In case you haven't done so already, tickets for Dr. Doohickey's Monster Machine can be purchased online (HERE).

Till next time!  Yours truly, Esra Erol - marketing intern at PST.

Behind the Scenes at PST: A Woodland Cinderella

It's Not Just Cinderella, It's A Woodland Cinderella

Deborah and Cinderella

Hellooo, Readers!  This week at PST, we conclude the 2012 Fall Fairytale Festival with A Woodland Cinderella, which, we promise, is a fitting send-off for the first half of our magical fall season.

Deborah Costine: Puppeteer!

All right, folks.  Let's meet the woman responsible for A Woodland Cinderella.  That's right.  I'm talkin' bout Deborah Costine!

Deborah's first puppet

Deborah grew up in a region of Lancaster, NH known as "The Great North Woods."  Unfortunately back then, there were no visiting assembly programs, so the only puppet Deborah knew was "Bunny Rabbit" on Captain Kangaroo.  Of course, that all changed when she made a puppet of her own, a papier mache clown that sits in her studio to this day.  Does it surprise you that such a creative child grew up to be a master puppeteer?  Right.  I didn't think so.  And you know what?  The creativity didn't end there.

Since 1974, Deborah has been one-half of the well-known Gerwick Puppets, touring throughout New England at schools, libraries, museums, and events such as First Night Boston.  She writes the scripts with her partner-in-crime, Lenny Gerwick, and makes all the puppets - over two hundred to this day!

Deborah, with Lenny Gerwick

Yes, Deborah's quite the busy bee.  You don't believe me?  She has presented over 5,000 performances to over a million children.  Productions include: Aladdin and the Magic Lamp, Pilgrim Adventure in America, Inside the Haunted House, and Midwinter Magic - just to name a few.  And in addition to her work with Gerwick Puppets, Deborah has designed, constructed, and performed solo shows such as the upcoming Woodland Cinderella, The Three Pigs and Other Tales, and The Twig Family in the Oak Tree.

And then, there's her teaching job.  Deborah has taught puppetry classes at Plymouth State University, Worcester State College, and Northeastern University.  It's almost like she's running on a never-ending battery.  She's always up and running, trying to spread the joys of puppetry, not just to students but to everyone around her, which is great news for us all because she is just delightful!

Deborah Costine: Puppeteer!

A Woodland Cinderella vs. Every Other Cinderella

Now, some of you may be wondering: what makes A Woodland Cinderella different from, let's say, Disney's Cinderella?  Well, I'll tell ya.

In 1950, Disney released their version of Cinderella, one of their best - not to mention one of the greatest adaptations of all time.  Though, back then, it was considered a major gamble.  The story goes: if Cinderella had failed at the box office, then Disney Studios would have shut down forever.  Luckily for them, it was a huge hit, one of their first since Snow White and the Seven Dwarves, which they released in 1937.  So imagine that - it took Disney Studios thirteen years to get back on top.  Hard to imagine, right?  Considering they're very much on top of their game today.

Disney's Cinderella (1950)

Anyway, you know the story: Cinderella is the much-loved daughter of a widowed aristocrat.  Feeling that his daughter needs a mother's care, he marries Lady Tremaine, a proud woman with two daughters from her first marriage, Drizella and Anastasia, both plain and socially awkward and bitterly envious of the beautiful and charming Cinderella.  After Cinderella's father dies, Lady Tremaine takes over the estate and she and her daughters (even their cat, Lucifer) mistreat her out of jealousy.  Regardless, Cinderella grows up to be a kind woman and she gets the happily-ever-after-ending.  You know, the one with a gorgeous pair of shoes and that sweet, sweet Prince Charming.

Deborah Costine's A Woodland Cinderella

Yes, it can't be denied: Disney's Cinderella is a lovely adaptation, but I'm more interested in Deborah Costine's version, A Woodland Cinderella.  Why?  Because it's a one-woman show!  Every detail that went into making this show - the script, the puppets, the set - it's all Deborah's doing.  She put a lot of thought into.  And it's not just the beautiful set design or the elaborate puppetry that make A Woodland Cinderella so different (in fact, better) than most versions of Cinderella.  It's the theme: that it's not how beautiful you are on the outside or how much stuff you have that makes you a beautiful person.  It's "the goodness in your eyes."

You know it would be a shame to waste a wonderful opportunity like this - to see Deborah, whose fairytale puppets will be sure to please you.  Take my word for it: A Woodland Cinderella is funny, touching, and everything in between.  Be sure to come on down to PST to see a performance, starting October 12 (BUY TICKETS).  And for more information on Deborah and her amazing puppetry, please go to her website: http://www.deborahcostinenaturepuppets.com/.

Till next time!  Your's truly, Esra Erol - marketing intern at PST.

A Woodland Cinderella Comes to PST!

THIS WEEK AT PST

The Second Annual FALL FAIRYTALE FESTIVAL concludes with... 

A Woodland Cinderella
by Deborah Costine, Pupeteer!

Fri Oct 12 | 10:30 AM 
Sat Oct 13 | 1 PM & 3 PM
Sun Oct 14 | 1 PM & 3 PM
BUY TICKETS

This past month, we've met many colorful characters, including: a fairytale investigator, giants living on top of a beanstalk, a big, bad wolf hungry for three little pigs, princes (or frogs that became princes) and princesses, an emperor, a little girl (and we mean that literally), and an ugly duckling.

This week, we invite you to the conclusion of the Second Annual Fall Fairytale festival with Cinderella: A Woodland Fairy Princess - before we officially get into the spirit of Halloween with our "Halloween Extravaganza," beginning October 19th through October 28th.

About the Show: In this original, UNIMA award-winning version of Cinderella, the King of all Woodland Fairies wants his son to marry a fairy princess, but he knows they are very hard to find, so he hosts a great ball and commands all the young fairy maidens to attend - with hopes that the missing Fern Fairy Princess will come. The question is: will she?
Hand puppets, recommended for ages 3 & up

About the Performer: When Deborah was a mere 10-years-old, she made her first puppet. She had no idea how to go about it, but she made a papier mache puppet, which sits in her puppet studio to this day!  Deborah also designs and performs shows for young audiences and was recently awarded a UNIMA "Citation of Excellence" for her show Cinderella: A Woodland Fairy Princess in 2009. The UNIMA "Citation of Excellence" is the highest honor in American puppetry.

Behind the Scenes at PST: The Magic of Hans Christian Andersen

Applause Unlimited: Give 'Em a Round of Applause

Chris, in The Tales of Beatrix Potter

Greetings, Readers!  Back for another "behind-the-scenes" adventure?  Good!  Because this week at PST, we welcome Applause Unlimited with open arms as they perform not one but three classic Hans Christian Andersen tales: The Ugly Duckling, Thumbelisa, and The Emperor's New Clothes.  Yes, it's true what they say - three's a magical number.  Hope you Hans and Honeys are ready for some kickin' storytellin' because that's what you're going to get with Applause Unlimited's show!

The Company...

You'd think after receiving not one but two "Citations of Excellence" from the Union Internionale de la Marionette, these guys would take a break.  Luckily, for us puppet enthusiasts at PST and audiences alike, they don't.

In addition to performing in schools, museums, theaters, and festivals in and around their hometown, Richmond, VA, Applause Unlimited has toured up and down the entire east coast, making a few stops here and there, including: The Center for Puppetry Arts in Atlanta, GA, The Puppet Co. Playhouse in Glen Echo, MD, The National Aquarium in Baltimore, MD, The Wetlands Institute in Cape May, NJ, and The Smithsonian Discovery Theatre in Washington D.C.

...And The Shows

Pretty impressive, right?  Well, that's because Applause Unlimited offers a wide range of performances featuring fresh interpretations of classic tales like The Velveteen Rabbit, Peter and the Wolf, Puss in Boots, and The Tales of Beatrix Potter (due at PST this December).  Using masks, music, and comedy, they entertain audiences as much as they educate 'em.  So, in other words, they put the "fun" in "learning can be fun."

The Velveteen Rabbit (left) and Peter and the Wolf (right)

Puss in Boots (left) and The Tales of Beatrix Potter (right)

Let's Meet the Performer

Now, you may be asking - who's the man behind the puppets?  The answer is: Christopher Hudert, a versatile artist whose many skills include script writing, sculpting, set and puppet construction, puppetry, clowning, stilt walking, and juggling.

Chris, between Siegfried & Roy - 1991

Christopher began his career in theatre at an early age, performing with The Children's Theater of Children and Puppetfest Productions.  Later, he put his Theatre Studies on hold to attend Ringling Bros. Clown College.  He was such a good student, they offered him a chance to join the Circus, which he, of course, accepted (who wouldn't?!).  Much thanks to his clown contract, Christopher went on tours across the United States and Japan, which goes to show - if you have dreams of traveling the world, you should pack your bags and go to Clown College.

Chris (right), in "A Duck Walks into a Bar" - Puppetry Slam at the Puppet Co. Playhouse in Glen Echo Park

To this day, Christopher - now a veteran of Ringling Bros. & Barnum & Bailey Circus - has performed for millions of people and has appeared in TV shows, commercials, magazines, and newspapers in both the United States and Japan.  He was Boss Clown for Ringling Bros. before leaving to join Master Puppeteer Terry Snyder in the creation of Applause Unlimited.  He is also the Stage Consultant and the Youth Services Coordinator for Puppeteers of America and serves on the Board of The National Puppetry Guild.

Oh, and if you're ever in need of a Clown College instructor, Christopher's doing that, too!

So, need to laugh a little?  Well then, be sure to come one down to PST to see Applause Unlimited perform three of Hans Christian Andersen's beloved tales in The Magic of Hans Christian Andersen, beginning Friday October 5th and running until Monday October 8th (BUY TICKETS).

'Til next time!  Yours truly, Esra Erol - marketing intern at PST.

Behind the Scenes at PST: The Frog Prince

Pumpernickel Puppets: No, They're Not Edible

Welcome back, readers.  It's me, Esra Erol - marketing intern at PST - and I'm here to take you on another "behind-the-scenes" adventure.  This time, it's all about The Frog Prince, which is due back at PST this week.  But first!  Allow me to introduce you to the man behind the Pumpernickel Puppets: John McDonough.

John and his MJ Puppet

John, Then...

John's story begins when he was just a wee lad.  That's right.  He was only four-years-old when he saw his first puppet show and thought, "Hmm...I think I want to be a puppeteer."  You know what?  Scratch that.  John didn't think he wanted to be a puppeteer.  John knew - he was absolutely certain - that he wanted to be a puppeteer.  Seriously.  He was on a mission.  By his teens, John was performing a large number of puppet shows throughout the New England area, including here in Brookline, specifically on the stage of our very own PST, which John might as well call "home" since he's been here so many times - much to our delight!

...And Now

Over thirty-seven years later, John is still entertaining audiences with his beautifully crafted puppet pals.  They've appeared here in Boston at The Boston Children's Museum as well many out-of-state institutions, including: The Institute of Professional Puppetry Arts at the Eugene O’Neill Theatre Center in Waterford, CT, The Smithsonian Institution in Washington D.C., The Cultural Olympiad at The Center For Puppetry Arts in Atlanta, GA, and the prestigious International Festival of Puppet Theatre sponsored by the Jim Henson Foundation at the Joseph Papp Public Theatre in New York.

The Man Behind the Frog

This week, we're very luck to have John back at PST to perform his rendition of The Frog Prince. Excuse me. I should have said, "His beautiful rendition of The Frog Prince." Why beautiful? Well, John is known for crafting some of the most intricate puppets in the business. They're just breathtaking! Don't believe me? Take a look:

For each production, John designs and creates all of his puppets, which range in size.  Some of 'em are small hand puppets while others are life-size figures - sometimes bigger!  

He also manipulates the entire cast and provides the voices and sound effects as well.  He even has his very own portable stage, which can be set up in any indoor location and comes complete with sound and lighting. All that he needs is a 7x7 ft. square space with a 7'2" floor to ceiling clearance and a regular electrical outlet nearby.

Now, if you haven't seen John and his mechanics at work (and you're dying to know what it's like to see his work come to life), do not fear because we've got a pictorial history of some of the performances he's done over the last few (and most recent) years, including: The Lion and the Mouse and Three Billy Goats Gruff in 2010, and then Peter Rabbit and Sir George and the Dragon the following year - all of were met with great success.

Yes, John's puppet pals are sure to "wow" audiences of all ages, especially this week with The Frog Prince (BUY TICKETS).  We insist you come on down to PST and watch the beautiful Princess kiss the slimy Frog.  We promise, he'll turn into a handsome Prince soon enough!

'Till next time!  Yours truly, Esra Erol - marketing intern.

The Frog Prince is Hoppin' On Over to PST

THIS WEEK AT PST

The 2nd Annual
FALL FAIRYTALE FESTIVAL continues with...

The Frog Prince
by Pumpernickel Puppets
Sat & Sun | Sep 29 & 30 | 1 PM and 3 PM
BUY TICKETS

About the Show: Young Prince Tad has been caught teasing the forest creatures...again! As punishment, a Magic Tree turns him into a frog, hoping to teach him a lesson. Along the way, Tad meets a Princess who could turn him back with - brace yourselves - a kiss. Yuck! Will she do it? All ends happily as the characters learn about being kind and keeping promises.
Hand puppets, recommended for ages 3 & up

About the Performer: The Pumpernickel Puppets are the creation of John McDonough of Worcester, Massachusetts. He was four years old when he saw his first puppet show and he knew immediately that he wanted to be a puppeteer. By his teens, John was presenting shows all over the New England area. 

The Pumpernickel Puppets have had the honor of appearing at the Boston Children’s Museum, the Institute of Professional Puppetry Arts at the Eugene O’Neill Theatre Center, the Smithsonian Institution in Washington D.C., the Cultural Olympiad at the Center For Puppetry Arts in Atlanta, Georgia, and the prestigious International Festival of Puppet Theatre - sponsored by the Jim Henson Foundation - at the Joseph Papp Public Theatre in New York.

The Three Little Pigs Take Over the Net!

Newsflash, Readers!  The Three Little Pigs have taken over the Net.  I repeat: The Three Little Pigs have taken over the net...but that's totally ok because they're cute and cuddly, so no need to be alarmed.  I just thought you should know, what with WonderSpark Puppets returning to PST this week with their rendition of the classic tale.

Yes, in celebration of their return - both WonderSpark Puppets and The Three Little Pigs - I thought it would be best to do a countdown of some of the best Pig-related videos on the Internet, courtesy of Sesame Street, Jim Henson, and his Muppets.

5. Kermit Reports On The Three Little Pigs...and Count Ruins It

CLICK TO WATCH

Poor Kermit.  All he wants to do is interview the Three Little Pigs, but he can't because Count keeps, you know, counting 'em.  That's right.  Every time a Little Pig appears, Count shouts "ONE Little Pig," "TWO Little Pigs," and then "THREE Little Pigs," making it very difficult for Kermit to ask them any questions regarding their encounter with the Big Bad Wolf.  Fed up with all the hullabaloo, the Pigs shut the door - and Kermit walks away without a story...or so you think!  

Just next door are the Seven Dwarves.  Oh, but wait.  That's not good.  Seven Dwarves means seven more things for the Count to, you know, count!  Get ready, Kermit.  The cycle's doomed to repeat itself.  

4. Kermit Reports On Two Homeless Piggies

CLICK TO WATCH

After an unwanted visit from the Big Bad Wolf, two Pigs are left homeless.  

At the first scene of the crime - a big pile of straw - Kermit asks the first Pig what it's like to be homeless.  His response: "What kind of dumb question is that?!  I'm angry!  How would you feel if some big Wolf came along and huffed and puffed and blew your house down?!"

At the second scene of the crime - a big pile of sticks - Kermit asks the second, teary-eyed Pig the same question.  His response: "How do I feel?  How can you be so cruel as to ask me that?  My house is in rubble and you ask me that?  I'm sad!"

At the third scene of the crime - oh, wait!  There is none because it's made of brick.  Knowing this, Kermit asks the third Pig, who stands in front of his brick palace, trying to figure out where his satellite dish should go, what it's like to have a house that's "nice and solid and strong."  His response: "Proud."  Sure, he may seem vain, but when the other two Pigs come a-runnin', he takes them in and protects them from the Big Bad Wolf's big, bad breath.  Kermit, however, is not so lucky because the Wolf huffs and puffs and blows him away.

3. Kermit Reports on the NEW Three Little Pigs Story

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That's right.  There's a new Three Little Pigs story, courtesy of the Big Bad Wolf, who's invited Kermit and his news team to capture it on video.

The story begins with the Wolf asking the Three Little Pigs to join him outside.  The Pigs refuse because in the old story, he huffed and puffed and blew their houses down.  The Wolf promises that he won't do that again, so the Pigs decide to give him a chance.  They go outside, where the Wolf begins the new story so: "Once upon a time, there were Three Little Pigs and a Frog Reporter.  When the Wolf saw them standing there, he took a deep breath and..." - Kermit and the Pigs jump - "sang a song!" 

This song turns out to be a game.  The Wolf sings, "Three of things belong together.  Three of these things are kinda the same.  One of these things just doesn't belong here.  Now it's time to play a game!"

Guess how the game ends.  Kermit, a frog, does not belong with the Three Little Pigs, so the Wolf huffs and puffs and blows him away and he and the Three Little Pigs live happily ever after.  As the Pigs rejoice, Kermit pops out of his coat and says, "I think I like the old story better."

2. Kermit Reports On the First Pig

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Kermit interviews the first Pig, the one with the house made of straw.  When he asks, "Why straw," the Pig responds so: "Because straw is light and easy to carry - and when we get hungry, we can nibble on a wall or two."  Kermit suggests it would have been wiser to build a house made of wood or bricks, in case a Big Bad Wolf comes along and huffs and puffs and blows it down.  The Pig laughs this off, saying he worked on the house for four days and is, therefore, strong, then returns inside.

Moments later, the Big Bad Wolf arrives and Kermit - who thinks he knows the story of The Three Little Pigs - stands to the side and watches as he huffs and puffs and blows everything down...except the Pig's house.  Boy!  You may think you know the story, but then something like this happens.  It may not make sense, especially to Kermit, but that's what makes it funny.  

1. A New Way To Walk

CLICK TO WATCH

Welcome to Mac TV!  Today's music video features kickin' music and pork bellies.  It's called "A New Way To Walk" and it features the talented Oinker Sisters.

Yes, this video - an obvious homage to Madonna, (specifically Madonna from the 80's) - is just delightful.  And it certainly puts a new twist on the story of The Three Little Pigs.  In the version we grew up with, they're running scared from the Big Bad Wolf.  Here, they're singing and dancing - and giving "Girl Power" a whole new meaning. 

I don't know about you, but this is definitely worthy of the number one spot.  It's got everything you could ever want from a Sesame Street music video: Madonna-esque dancing pigs and an 80's pop song - guaranteed to put a smile on your faces.

Feel like you need more Pig-related fun in your life?  Then come on down to PST this Saturday (or Sunday) to see WonderSpark Puppets perform their version of The Three Little Pigs.

'Til next time.  Yours truly, Esra Erol - marketing intern.

PS: Tell us what some of your favorite pig videos are!

Behind the Scenes at PST: The Three Little Pigs

WonderSpark Puppets: They've Got Their Hands Full

Welcome back, readers!  It's yours truly, Esra Erol, one of the marketing interns here at PST, and I'll be taking you on a behind-the-scenes look at WonderSpark Puppets' rendition of The Three Little Pigs, due to premiere at PST this week!

Chad Williams & Lindsey "Z" Briggs - Founders of WonderSpark Puppets

Now, I don't know if you know this, but the Three Little Pigs are traveling all the way from Central Park in New York City to Boston. That's right.  When they're not traveling to different venues, like PST, WonderSpark Puppets - founded by husband-and-wife team Chad Williams and Lindsey "Z" Briggs - perform a variety of puppet shows for children and adults alike in the different boroughs of Manhattan, Long Island, New Jersey, Connecticut, etc.  They also volunteer at Mount Sinai's KidZone TV and have given lectures and demonstrations to a class at the Children's Museum for the Arts in Manhattan.

I think it's no secret: both Chad and Lindsey care deeply about children and bringing the arts to the children, which is why their rendition of The Three Little Pigs is guaranteed to bring in laughs and smiles from your little ones.  

Bringing the Pigs to the Stage

We all know the story: Three Little Pigs build three little houses, but when the Big Bad Wolf comes rollin' into town, hungry for some bacon, they have to see which of their three structures can withstand his huffin' and his puffin'.

In his adaption of the classic tale, Chad Williams hauls an entire show...alone!  He manipulates different characters, changes scenery, and keeps direct contact with the audience.  "How," you may ask?  With table-top puppetry, of course!

The Three Little Pigs in Central Park

By using the table-top style, he can manipulate up to two characters at once, stop for a bit of storytelling, and quickly summon different puppets or change a prop in full view of the audience, which allows him to create this intimacy between the stage and the audience.

From Script to Stage

Now, for those of you who may not know, this show is what the industry refers to as an "adaptation," meaning it's based on previously written material - in this case, The Three Little Pigs.  Of course, that shouldn't suggest this is not, in a way, a WonderSpark Puppets original.  

During rehearsals, Chad did re-writes of the script.  His mantra for writing characters is to "make each one stand out."  In other words, each of the pigs, while literally being made of the same materials and patterns - all of which were designed by Lindsey - had to have completely different voices, mannerisms, fatal flaws, and goals.  As a writer, it was important for Chad to ask questions like: What does each pig want?  What can the Big Bad Wolf use against them?  And so on...

Chad Performing as One of the Three Little Pigs

By taking these steps - asking questions, doing character profiles, and re-writing the script - Chad was able to take someone else's Three Little Pigs and make them his own, giving them wacky personalities like the "Sloth," the "Diva," and the "Nerd."

Speaking of them pigs - you can't help but wonder: what would've happened if they had done their homework and gone to, let's say, Cal Poly, which offers some of the best undergraduate programs in architecture and engineering.  They probably would've built more durable houses - you know, to withstand the big, bad breath of the Big Bad Wolf.  Thank goodness that's not the case because then there'd be no story and the wonderful people at WonderSpark Puppets wouldn't be able to perform their delightful version of The Three Little Pigs.

To see 'em in action - and by action I mean, going head-to-head with the Big Bad Wolf - come on down to PST, where WonderSpark Puppets will be performing The Three Little Pigs on September 22 and September 23 (BUY TICKETS).  You know you can't resist puppet pigs!

'Til next time.  Yours truly, Esra.

Three Little Piggies Are Comin' to PST

THIS WEEK AT PST

The 2nd Annual 
FALL FAIRYTALE FESTIVAL continues with...

The Three Little Pigs
by WonderSpark Puppets
Sat & Sun | Sep 22 & 23 | 1 PM & 3 PM
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He'll HUFF.  He'll PUFF.  And he'll BLOW any house down - at least, he says he can.  Can the Three Little Pigs withstand the Big Bad Wolf's big, bad breath?  Find out this week at PST.

About the Show: The Three Little Pigs build their houses of hay, wood, and stone, but the question is: can they withstand the Big Bad Wolf?  The classic tale is retold with hilarious puppet pigs and a silly wolf, with an emphasis on 'being prepared'.
Table top puppets, recommended for ages 3 & up

About the Performer: Based in New York City, WonderSpark Puppets performs award-winning puppet theater in all sorts of venues: theatres, schools, libraries, children’s museums, and even in your living room. You never know where WonderSpark Puppets will appear next.

Founded by husband and wife, Chad Williams and Lindsey “Z.” Briggs, WonderSpark Puppets infuse fun and whimsy into all of their performances. They are happy to perform puppet shows for kids and adults alike.

Jack and the Beanstalk: Giant-Sized Entertainment Comes to PST

THIS WEEK AT PST

The 2nd Annual
FALL FAIRYTALE FESTIVAL continues with...

Jack and the Beanstalk
by Crabgrass Puppet Theatre
Sat Sun & Mon | Sept 15 16 & 17 | 1pm & 3pm (Sat & Sun) 10:30am & 1pm (Mon)
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The saying goes, "Dreams can come true." This week at PST, Jack plants three magic beans, dreams of a magic beanstalk, and later that night, one grows in his backyard! See what happens when he gathers the courage to climb up the beanstalk and explore the world above...and the giants who live there!

About the show: Sent to the market to sell his old cow, Jack returns home with a measly handful of beans. Jack is devastated until... the beans become a beanstalk, the beanstalk leads to adventure, and Jack has a chance at fame and fortune. All he has to do is outwit a very hungry giant! Crabgrass Puppet Theatre's hilarious retelling of the tallest of tales is full of fun and loaded with laughs. Colorful scenery, exciting puppetry, and a delightful musical score combine to create a giant-sized entertainment for all ages.
Mixed styles, recommended for ages 3 & up

About the performer: The Crabgrass Puppet Theatre is an award-winning touring puppet theatre founded in 1982 by Jamie Keithline and Bonny Hall. Jamie and Bonny met in 1979, while performing in Laughingstock!, a puppet-and-actor production at the University of Connecticut in which Bonny played Jamie's father. They have been working together ever since!

Raccoon Tales by Brad Shur

THIS WEEK AT PST

"Raccoon Tales" by Brad Shur

Weds, Thurs, & Sat | July 20, 21, & 23 | 10:30 am & 1 pm

$8/Members, $10/General Admission

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About the show: The animals in the forest are always getting into trouble playing tricks on each other. Will they learn their lessons? The show includes three humorous tails inspired by the Native American tales of the Seneca Tribe: How the Fox and the Raccoon Trick EachOther; Why the Blue Jay is Blue and the Gray Wolf Isn't; and, Why the Bear has a Stumpy Tail.

Hand Puppets, Recommended for ages 4 +

About the performer: Brad Shur, artist in residence at PST, has been professionally involved in puppetry for nearly 10 years. As a fan of all types of puppetry, Brad has built and performed with rod puppets, hand puppets, shadow puppets, larger-than-life costume puppets, Japanese bunraku puppets and marionettes. His shows are high energy blends where at least a few of these styles come together with storytelling, original scripts, and lots of audience participation.

You can catch Brad at least twice monthly at Puppet Showplace Theatre, performing any one of six shows in his repertoire: "Raccoon Tales," "Here Come the Clowns," "The Singing Turtle," "Dr. Doohickey's Monster Machine," "The Carrot Salesman," and his newest production "The Magic Soup and Other Tales."

Brad is also an experienced teacher and offers workshops and classes for all ages on site at PST or private bookings in addition to extended residencies. This programming includes shadow, hand, and rod puppets, or custom workshops. Click here for more info!

(Brad Shur and participants from Summer Saturday Workshop Series, July 2011)